Software engineer (video games). Likes dogs, DJing + EDM, running, electronics and loud bangs in Reservoir.
Honestly, I wouldn’t trust most commercial VPNs these days, especially the ones that are nearly always on 100% discount sales. If they’re not making their revenue from customers, they must be making it some other way. And that’s a mighty fine data set they’re sitting on.
I don’t read reviews, I’m not on social media (except here) and I don’t participate in online discussions about my games. At least that’s the principle I try and live by, I’m only human. And running my own studio meant having to break those rules anyway. Oh well.
Truthfully, it doesn’t bother me that much, and it gets easier the more it happens. Not everything is for everyone, and either people are respectful in their critique (which you can learn from to hopefully get better next time) or they’re disrespectful (in which case you can pretty much ignore what they’re saying as online trolling).
Also when you’re at a bigger studio, your contribution to the game is much smaller anyway (1000s of devs), so you feel less personal about the feedback.
As I’ve gotten more experience, I actually feel like ANY type of feedback is good feedback - it means people are playing your game! There will always be a vocal minority wanting to rage and vent, and you can just take their volume level as an indicator of how well your game has captured your audience’s attention.
I’ve been in games over two decades - everything from AAA to VR startups to running my own indie studio. I feel like I can probably answer your question.
There’s definitely a class divide within the industry based on your discipline. If you’re a software engineer, you have much greater leverage than artists/designers etc. when it comes to compensation, and you’ll likely be treated better in general.
Especially at larger studios, if you’re good you will generally be looked after. Sure, you might earn more working for one of the big five in tech, but you’ll probably be less interested in the work.
You should expect to move around pretty often - it’s rare (but not unheard of) for people to stay at one company for most of their career.
There have been some pretty rough seas over the years too - post-covid layoffs, and a fairly large series of layoffs in the early 2010s.
I’m guessing 30% of my time has been spent on games that never released. The first time was soul-crushing. But after that, I realised I needed to focus on enjoying the journey Instead. The game releasing was just a nice bonus.
I wouldn’t change my career for the world. I love working with other creatives (I’m actually friends with many of my colleagues), and I’m genuinely passionate about what I do. I think you just need to be the right personality type for it. If you’re someone who can’t set boundaries for yourself easily (switching off after hours), it can burn you out, usually by your own hand.
Most burnout I’ve seen has not come from studio heads demanding people work insane hours (though those rare situations always make the headlines), but instead comes from people’s inner drive to be a reliable colleague and do amazing work. I think that’s a side effect of being passionate about the work.
Is it a good career? I’ve certainly loved it and feel like I’ve been well-compensated, but your mileage may vary. But don’t believe the hype of the vocal minority who say it’s an industry full of abuse and bad wages. There’s some shitty things that happen for sure, and some jerks running studios here and there, but I think that’s more to do with late-stage capitalism than games itself.
It wouldn’t surprise me if this decision was more about external conditions than internal ones. They’ve got the money to burn, and are likely forecasting an insane number of sales, so timing it to ensure a more favourable global economy seems believable to me.
But is the overall market growing? What I’d love to know is if less people are playing non-MTX games now than before, or if we’re just getting more people staying to play games and they happen to be drawn to MTX games, ie. a broader target market, in the same way we saw mobile gaming explode with people who never played games before.
It’s really not limited to the game industry. A project of any kind with 10 people vs 100/1000 people is going to be a very different experience. It’s just human nature - there’s more planning and communication required, and more personality types involved.
Now do crypto.
I worked for a large AAA during the pandemic, and it was ridiculous how many people they hired in a short space of time. We quadrupled our studio size over 12 months. So when layoffs started happening, of course our studio scaled back. Public corporations cannot be trusted to act ethically.
Ditched Ubuntu last year for Hannah Montana Linux and haven’t looked back.
I’ve played around with using PLA to make plant pots on an old Ender 3. It wasn’t quite waterproof, but pretty close. If you wanted a perfect seal for underwater shenanigans, I’d probably experiment with different wall thickness settings, and maybe temperatures/fan cooling settings. You want to try and minimise the tiny air pockets between layer and filament drawing lines. (Resin 3D printers are probably better at this tbh.)
I had reasonable success using a hot air gun to melt the outer layer of PLA to make it perfectly smooth, but this can deform your object if it heats up too much, so I’m guessing very hot temperatures and less contact time would be the ideal setting.
You could also try smearing Vaseline or resin coating the outside of the object.
I had a good experience with Daikin split systems, but it’s really going to depend on your region and what’s available in your area, or what you’ve already got. If you’re looking for inspiration on what works well, check the Home Assistant forums.
Best place to start would be to look at the thermostat hardware you’ve currently got, and start searching online if anyone has integrated it into Home Assistant.
I’ve lived at a few houses now with Home Assistant. In all of them I was able to integrate my HVAC and automate it, but some brands and hardware are definitely easier than others.
I think the most extreme of them required a custom esphome device connected to its PCB to talk to Home Assistant, and another required me to write my own custom component.
Hardware and brands make a huge difference, but sometimes you’re stuck with what you’ve got.
It’s how most large forums ran back in the day and it worked great. Quality over quantity.
Game Pass’ revenue grew by 5.7% in the year to June, which is below the internal target of 11%. Following the service’s declining growth rate, it was dropped as a metric contributing to Microsoft CEO Satya Nadella’s pay in 2023.
Rules for thee, not for me.
For couch gaming, the discontinued Steam Link hardware is still king IMHO. I tried switching to the Android app on my smart TV and have had nothing but trouble with connection quality (even over a gigabit wired connection) and maintaining 4 controllers connected to the TV at once. It seems extremely sensitive to host hardware and software issues, which often change underneath you with TV updates. The Android hardware and software it runs on is just too variable to ensure a consistent reliable experience, and Bluetooth controller support is often hit or miss.
The Steam Link hardware was amazing as it did exactly what it needed to do, and most importantly was tested more thoroughly than the thousands of Android devices that all have their own quirks and specs. I hope they bring it back.
I also liked
LGs AI Home Inside 2.0 Refrigerator with ThinkQ
Wake me when I can install Tayne on it.
Ask it to repeat its previous correspondence, or repeat the instructions it was given. It’ll be interesting to hear what its intentions are.
35 years! It’s almost unheard of to be at a single game company for so long.