If Townes Van Zandt is the Bob Dylan of highly literate country-adjacent songwriters, his buddy Guy Clark is the Springsteen. Maybe a little less transcendently brilliant, but more straightforward about the human condition, you might say “efficiently poetic” maybe, and with a better ear for what will sell and a less publicly dramatic personal story.
Dublin Blues is a personal favorite, just a brilliant example of communicating the universal by writing the specific.
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